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A short history of the life of Brunelleschi

A short history of the life of Brunelleschi

Florence in Italy is home to some of Brunelleschi’s most famed works, making use of the machines that he himself invented to tackle architectural and engineering problems.

A Short history of the life of Brunelleschi

Born in 1377 in Florence, Italy, and the 2nd of 3 sons, Filippo Brunelleschi was a notary’s son who showed an appreciation for goldsmithing. This interest would stand him in good stead throughout his life. He is thought to be a founding father of Renaissance architecture.

He is famous for his design of the Florence Cathedral dome, an extraordinary feat of engineering. He and his friend Donatello then ventured to Rome, spending a decade in the city and exploring the architecture.

The Competitive Spirit of Brunelleschi

Antonio Manetti, his first biographer, describes Brunelleschi as an amiable person with a great sense of humour but there are other more unflattering descriptions of him such as cantankerous, volatile and unkempt.

It was in 1401 that Brunelleschi entered a competition. He was one of 7 participants in the prestigious competition. They were looking to choose an artist to design a new set of bronze doors for Florence’s Baptistery. The ultimate winner wasn’t Brunelleschi but Lorenzo Ghiberti, who went on to create another set of doors.

The Linear Perspective

Disappointed at losing the competition and losing a baptistery commission, Brunelleschi turned his interests to architecture but still continuing to sculpt Early in his architectural career he became more interested in the principles of linear perspective. This linear perspective concept spread throughout Italy and Western Europe.

Success with the 2nd Competition

The versatile architect is known for his most famous masterpiece – the Dome of the Florence Cathedral. It had been under construction for over 100 years, but architects were wanting to know how to build a dome over its wide apse. Another competition was held and Ghiberti and Brunelleschi were participants, with Brunelleschi winning.

The job took up much of his life – about 16 years – and is the biggest masonry dome in the world. He was also known for building military fortifications in cities such as Pisa, Castellina and Rimini. He also created a hoist-like mechanism which was useful for helping with stage theatrical religious performances in Florentine churches.

Superb Skills – some Unverified

Brunelleschi died in Florence on April 15, 1446, being remembered for all his contributions to Renaissance architecture. His body is entombed in the Duomo with a fairly long inscription on his grave.

Brunelleschi’s role as architect of residential buildings isn’t altogether clear and there is no documentary evidence existing for the palaces with which biographers have credited him, such as the Pitti Palace. True, the palaces have some novel features that one would assume are attributed to Brunelleschi’s inventiveness, but unfortunately, no real proof of his influence has been offered.

Masaccio’s gift for movement and nature

Masaccio’s gift for movement and nature

Masaccio was born on December 21, 1401, just outside Florence. Throughout his life, he was called Tommaso Cassai. He is considered the first great painter from Italy of the Italian Renaissance. Giorgio Vasari, who coined the name Masaccio, regards him as the best painter of his period because of Masaccio skill at imitating nature and recreating lifelike figures plus movements and also a great sense of three-dimensionality.

Masaccio Life – Early Childhood and Education

Masaccio was born to Jacopa di Martinozzo and Giovanni di Simone Cassai. His mother was the daughter of Barberino di Mugello’s innkeeper and his father a notary. In 1406, his father died when he was just 5 years old.

There’s no evidence for his artistic education; however, painters of the Renaissance traditionally started an apprenticeship with a master who is established when they were about 12 years old. It is likely that Masaccio had to relocate to Florence city to receive his training. However, he wasn’t documented in Florence until on 7 January 1422, when Masaccio joined the painters guild as an independent master.

Masaccio’s Work – People Who Influenced His Work

Masaccio transformed the direction of painting from Italy; he moved away from the elaborate Gothic ornamentations still present in Madonna with Saint Anne, which is his earliest known work currently at the Florence-based Uffizi Galleries.

The exceptionally individual nature of his style owed very little to other painters of his period, except possibly the great fourteenth-century master Giotto. Masaccio was more greatly influenced by the sculptor Donatello, the architect Brunelleschi and his Florentine contemporaries.

He derived his classical art knowledge from Donatello, and from Brunelleschi, Masaccio acquired knowledge of mathematical proportion, which was crucial to the painter’s revival of scientific perspective. Masaccio, together with Donatello and Donatello, was the founder of the Renaissance.

Masaccio’s Death – The Old Master Who Tragically Died Young

Masaccio died in 1428 in Rome. An unconfirmed report talks of death by poisoning and others think that his painting career was most likely cut short by a plague.

He influenced many artists while he was still alive and posthumously. Masaccio’s influence is especially notable in the great works of minor masters from Florence, like Giovanni dal Ponte, Andrea di Giusto and others who tried replicating his glowing, lifelike forms.